Already recognised as a significant figurative artist in the 1940s, Pasmore created quite a stir in the art world with his conversion to abstraction, becoming one of the leaders of the post-war movement.

The Corn Hall’s exhibition of his etchings and screenprints starts with his 1976 etching interpretation of his key cross-over painting of the Hanging Gardens of Hammersmith and follows the rest of his career when prints became an integral part of his artistic output.

For more information about the visit or to book, please email Janey Bevington: janeybevington0@gmail.com

Free for members but it is essential to book in advance as numbers are restricted.

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